'Nightshift' won The Commodores their first for in 1985. In 1990 the Commodores formed Commodores Records and re-recorded their 20 greatest hits as Commodores Hits Vol. They have a live album along with a DVD of the same name, and a Christmas album titled Commodores Christmas. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
The Commodores All The Greatest Hits Zip Line
Nov 26, 2015 - As he announces greatest hits gigs in the UK for summer 2016, remind. Still, he clearly enjoys performing All Around The World, which is the. Having made the fateful decision to leave The Commodores, Richie was off to.
Commodores Biggest Hits
The Commodores All The Greatest Hits Zip Codes
Lionel Richie (1982, Motown) A + It may lack the fiery funk excursions of the Commodores’ best albums, but Richie’s first solo album is still a must-own for R&B fans and one of the more impressive solo debuts ever made by a former frontman. It’s also unusually back-loaded, with the album’s two most notable hits not arriving until the second half. The tender piano ballad – and Number One hit – “Truly” (recorded on the same piano Carole King used to record Tapestry, interestingly enough) is perhaps the loveliest ballad Richie has ever put on disc, with or without the Commodores; its arrangement is truly flawless, even right down to where the acoustic guitars arrive in the mix. “You Are” is a perfect demonstration of Richie’s ability to write an R&B song that’s nothing but hooks from start to finish, and his playful performance on the cut oozes charm throughout as well. Commodores 13 (1983, Motown) C + You have to feel pretty bad for the Commodores: in a twelve-month span, they not only lost Lionel Richie to a solo career, but longtime producer James Anthony Carmichael also jumped ship to continue working with Richie, and, even worse, their longtime manager Benny Ashburn died of a heart attack at the age of 54. The band hasn’t fully replaced Richie just yet: instead, the lead vocals here are shared between Walter Orange (who had sung lead on “Brick House”) and longtime Commodores sideman/co-writer Harold Hudson, who’s not credited here as an official member in spite of his greater profile on this disc.